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Rates & contracts

How to read a day rate

The first thing most people do with a day rate is multiply it by 220 and compare the result to a salary. It is an understandable instinct and it produces a number that is wrong by roughly half.

What the number covers

A freelancer bills the days they work, not the days they are alive. Subtract holiday, sick leave, public holidays, and the weeks between engagements — the gaps are the job, not a failure of the job — and a busy independent bills somewhere between 140 and 180 days a year. The good ones sit at the top of that range and the very good ones deliberately sit lower, because they are turning work down.

Out of what is left come the things an employer normally absorbs: pension contributions, health cover, accountancy, insurance, software, hardware, the machine that has to be replaced every three years, and the unbilled hours spent quoting for work that never lands.

There is also the part nobody itemises, which is risk. An employee who is let go gets notice. A freelancer whose client cancels a booked month gets an email.

What you are actually buying

You are buying a person who has done this specific thing enough times to know which parts are hard. A senior independent will often finish a piece of work in three days that an in-house team would take three weeks over, not because they type faster but because they have already made the mistakes.

That is the honest case for the rate. It is not that the day is worth more in the abstract; it is that fewer days are needed.

Which parts move

The figure itself, usually not much. What does move is the shape.

Duration. Three days a week for four months is a different commodity from five days for three weeks. The first is predictable income and is often priced below headline. The second is disruptive and rarely is.

Notice. A cancellation clause with four weeks’ notice is worth real money to a freelancer and costs you nothing if you do not cancel. Offer it before you ask for a discount.

Scope shape. A fixed-scope block at a fixed price transfers risk to the freelancer, and they will price that risk in. If your scope is genuinely stable, this can be cheaper than day rates. If it is not, it will be more expensive and the relationship will sour in week three.

Payment terms. Fourteen days rather than sixty is the single most effective non-price concession you can make. It is also the one most often refused for no reason other than procurement habit.

The question worth asking

Not “is that your best rate”, which invites a lie. Ask instead: what would make this engagement easier for you to say yes to? You will usually hear about notice, start date, or how many stakeholders will be in the review — and fixing any of those costs less than a discount and improves the work.

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